Marta Becket (August 9, 1924 – January 30, 2017) was an extraordinary American dancer, choreographer, painter, and performer whose life took a legendary turn in the remote desert of California. Best known for transforming an abandoned building in Death Valley Junction into the iconic Amargosa Opera House, she created a unique artistic oasis in one of the most isolated places in the United States, performing there for over four decades.
Here are some glimpses of the stunning Amargosa Opera House interior, where Becket hand-painted elaborate murals of a colorful, eternal audience—including Renaissance figures, clowns, monks, and even a nod to theater critics—watching her performances forever:
Early Life and Artistic Beginnings
Born Martha Becket in New York City’s Greenwich Village on August 9, 1924, she showed creative talent from a young age. She began studying ballet at 14—a relatively late start—encouraged by her supportive yet demanding mother. Despite the delay, her natural ability shone through. By her early twenties, she was dancing professionally with the corps de ballet at Radio City Music Hall and later appeared on Broadway in productions such as Showboat. Beyond dance, she excelled in painting, drawing, and piano, laying the foundation for her multifaceted career.
She later changed her name to Marta Becket and, in the early 1960s, began performing her own one-woman shows on regional tours. In 1962, she married her manager, Tom Williams, and the couple continued traveling across the western U.S., where she first fell in love with the vast desert landscapes.
The Fateful Flat Tire: Birth of the Amargosa Opera House
In March 1967, while on tour and heading to an engagement, Becket and her husband experienced a flat tire in the tiny, nearly abandoned town of Death Valley Junction (originally called Amargosa), near the eastern edge of Death Valley National Park. While the tire was repaired at the local gas station, Becket wandered across the street and peered through a hole in the door of Corkhill Hall, a dilapidated former community social hall built in the 1920s by the Pacific Coast Borax Company.
She later described the moment as mystical—the empty, rundown building seemed to speak to her: “Take me. Do something with me. I offer you life!” Enchanted by the potential, she rented the space for $45 a month (with a dollar down) and took full responsibility for repairs. The couple returned in August 1967 to begin renovations. She renamed it the Amargosa Opera House in homage to the town’s original name.
Here’s the iconic exterior of the Amargosa Opera House and Hotel complex in the remote desert landscape:
A Life of Dedication in the Desert
Becket staged her first performance on February 10, 1968, to an audience of just 12 people. Early years were challenging—she often performed for empty seats—but she persisted, creating her own choreography blending ballet, mime, and vaudeville. Over seven years, she painstakingly painted the theater’s walls and ceiling with vibrant murals depicting a permanent, whimsical audience.
In 1970, a National Geographic article brought national attention, and audiences began arriving from around the world. By 1974, she established the nonprofit Amargosa Opera House, Inc. to preserve the property. She continued performing weekly (later on Saturdays) until her final show in February 2012, at age 87.
Becket also expanded to own and restore the adjacent hotel, infusing it with her artistic vision.
Legacy and Final Years
Marta Becket passed away on January 30, 2017, at her home in Death Valley Junction at the age of 92, from natural causes. Her story of following her heart—leaving the bright lights of New York for a solitary desert stage—has inspired countless artists and dreamers.
The Amargosa Opera House remains a living tribute to her vision, hosting performances, tours, and events to this day. Her legacy endures as a testament to the power of art, determination, and the magic that can bloom even in the most unexpected places.
Here are a few beautiful portraits and moments of Marta Becket herself, capturing her grace and enduring spirit: