Robert Holland Vance (1825–1876) was a pioneering American photographer known for his work during the California Gold Rush. Born in Maine, he trained in daguerreotype photography and established studios in Boston before moving to San Francisco in 1850. Vance became a leading figure in California photography, operating galleries in multiple cities, including Sacramento and San José. He is credited with some of the earliest photographic records of the American West, including a notable 1851 exhibition of over 300 California daguerreotypes in New York. His work captured significant events, like the 1856 San Francisco lynching of James P. Casey, and possibly included early images of California’s Native Americans. A savvy entrepreneur, he advertised in multiple languages and amassed significant wealth before financial setbacks led him to relocate to New York in 1865, where he continued his career until his death.
Early Life and Background
Robert Holland Vance was born in 1825 in Baring Plantation, Maine, to William Vance and his fourth wife, Charlotte Holland. His early life was marked by instability; when he was eight, his family relocated to Kennebec County, Maine, where his parents’ divorce and his father’s subsequent remarriage disrupted his childhood. The Vance children were placed under the guardianship of Lot M. Morrill, a future governor of Maine. It is believed that Robert received his initial photographic training from his brother William, a successful photographer, and further honed his skills through apprenticeships in New England studios. Following his father’s death when Robert was 16, a three-year court battle resulted in an inheritance that allowed him to establish his first daguerreotype gallery in Dover, New Hampshire. By age 21, he was operating a studio at 91 Washington Street in Boston in partnership with John A. Lerow.
Career Beginnings and Move to California
Vance’s early career was shaped by the daguerreotype, a pioneering photographic process. After gaining experience in Boston, he traveled to South America and Chile, likely to expand his photographic ventures. In 1850, drawn by the California Gold Rush, Vance relocated to San Francisco, where he became a leading figure in photography. He capitalized on the demand for cartes-de-visite and ambrotypes, boasting that his thick glass ambrotypes would “last forever.” His preference for large-format cameras for landscapes contrasted with his use of small-format cameras for studio portraits, which he believed produced superior results.
By the end of the 1850s, Vance operated portrait galleries in San Francisco, Sacramento, San José, Virginia City, Carson City, and later Hong Kong. A natural promoter, he advertised in multiple languages (Spanish, Chinese, French, and German) and claimed to use pure silver and specially formulated chemicals for his plates. He also boasted of having the largest skylight in the world at his San Francisco studio, located at Sacramento and Montgomery Streets. His business acumen led to real estate holdings valued at over $40,000 by 1860, earning him the self-proclaimed title of the “father of California photography.”
Notable Contributions and Exhibitions
In 1851, Vance made a significant mark by exhibiting over 300 daguerreotype views of California in New York City, showcasing the landscapes and life of the burgeoning state. These works, described as “Views in California,” were later acquired by Jeremiah Gurney and John Fitzgibbon but have since been lost. The exhibition, though not a commercial success, highlighted Vance’s ambition to document the American West. He is also credited with possibly taking the first photographs of California’s Native American populations, though these images are unconfirmed. His galleries employed notable photographers, including Carleton Eugene Watkins, who managed one of Vance’s studios and later became a renowned landscape photographer. Vance’s photographs of the 1862 Sacramento Flood were widely reproduced as engravings, further cementing his influence.
One of Vance’s notable works is a whole-plate daguerreotype documenting the 1856 lynching of James P. Casey, who murdered James King of William, editor of the San Francisco Evening Bulletin. This photograph, housed at the Metropolitan Museum of Art, captures a pivotal moment in San Francisco’s history, reflecting the vigilantism of the city’s Committee of Vigilance.
Later Years and Legacy
Vance’s success was not without challenges. Over-speculation in the stock market led to the closure of his California businesses in 1864. In 1865, he relocated to New York, where he continued his photographic work until his death in 1876. His brother, William Vance, also a photographer, remained active in California from 1854 to 1861 and 1872 to 1885.
Robert H. Vance’s legacy lies in his pioneering role in California photography during the Gold Rush era. His studios produced some of the earliest visual records of the American West, influencing the development of photography as both an art and a commercial enterprise. His work, preserved in institutions like the Metropolitan Museum of Art, continues to offer insight into the cultural and historical landscape of 19th-century America.