Category: Historic Events

The Assassination Attempt of Virgil Earp

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Virgil Earp 1843 -1905
Virgil Earp 1843 -1905

The assassination attempt on Virgil Earp, a key figure in the law enforcement of the Old West, occurred on December 28, 1881, in Tombstone, Arizona Territory. This event was part of the larger conflict known as the Earp-Cowboy feud, which culminated in the infamous Gunfight at the O.K. Corral.

Background

Virgil Earp, along with his brothers Wyatt and Morgan, was heavily involved in law enforcement in Tombstone. The town, at the time, was a hotbed of tension between the Earps and the Cowboys, a loosely organized group of outlaws and rustlers. The Gunfight at the O.K. Corral on October 26, 1881, where Virgil played a leading role as Tombstone’s town marshal, escalated these tensions. In this shootout, three Cowboys—Tom McLaury, Frank McLaury, and Billy Clanton—were killed, while Virgil and his brothers emerged relatively unscathed. This event intensified the animosity between the Earps and their enemies.

The Assassination Attempt

On the night of December 28, 1881, Virgil Earp was ambushed while walking down Allen Street in Tombstone. He was on his way from the Oriental Saloon to the Cosmopolitan Hotel, where he and his wife were staying. As Virgil passed by the intersection of Fifth and Allen streets, he was shot from behind with a shotgun. The blast struck his left arm and shoulder, shattering his humerus bone and causing severe injuries.

Despite the severity of his wounds, Virgil survived the attack, though he was permanently maimed. His left arm was nearly useless for the rest of his life. The attack on Virgil Earp was widely believed to be an act of revenge by the Cowboys for the events at the O.K. Corral. However, no one was ever officially charged with the crime. Ike Clanton and his associates, who had been involved in the earlier conflict with the Earps, were prime suspects, but insufficient evidence and the chaotic nature of Tombstone’s justice system at the time made it difficult to pursue any legal action.

Aftermath

The attack on Virgil Earp further inflamed the feud between the Earps and the Cowboys. Just a few months later, on March 18, 1882, Morgan Earp, another of Virgil’s brothers, was shot and killed in another ambush. This event prompted Wyatt Earp to lead a vendetta ride against the Cowboys, resulting in a series of violent encounters and killings.

Virgil Earp, despite his injury, continued to serve as a lawman. He left Tombstone in 1882 and eventually settled in California, where he served as a law enforcement officer in Colton and other areas. He lived until 1905, passing away at the age of 62.

The assassination attempt on Virgil Earp remains a significant event in the history of the American West, symbolizing the violent and often lawless nature of frontier life during that era.

The Fight of the Century

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On July 4, 1910, in Reno, Nevada, the “Fight of the Century” took place between Jack Johnson, the first African American World Heavyweight Champion, and James J. Jeffries, the former undefeated heavyweight champion who came out of retirement to challenge him. This boxing match was more than a sporting event; it was a cultural and racial flashpoint in early 20th-century America, reflecting deep-seated racial tensions and societal divides. The fight, held in a specially constructed arena, drew unprecedented attention and had far-reaching consequences, including race riots across the United States.

Original caption: Action shot of Jack Johnson fighting Jim Jeffries at Reno in 1910. Jeffries was beaten over 15 rounds. 1919 Reno, Nevada, USA

Background

Jack Johnson, known as the “Galveston Giant,” won the heavyweight title in 1908 by defeating Tommy Burns in Sydney, Australia, becoming the first Black man to hold the prestigious title. His victory was a source of pride for African Americans but provoked outrage among many white Americans, who viewed his success as a challenge to racial hierarchies. Johnson’s flamboyant personality, confidence, and refusal to conform to societal expectations further fueled animosity, with the press often portraying him negatively.

James J. Jeffries, nicknamed “The Boilermaker,” was a white former champion who retired undefeated in 1904. Persuaded by promoter Tex Rickard and driven by societal pressure to “reclaim the title for the white race,” Jeffries came out of retirement. He publicly stated his intention was to prove “a white man is better than a Negro,” earning him the moniker “Great White Hope.” At 35 years old, Jeffries had not fought in six years and needed to lose over 100 pounds to return to fighting weight, raising questions about his physical readiness.

The fight was heavily promoted by Tex Rickard and John Gleason, who secured a purse of $101,000, with the winner initially set to receive 75% and the loser 25%, though the split was later adjusted to 60/40 at Johnson’s suggestion. Both fighters also received a $10,000 signing bonus and shares of the film rights, which promised significant revenue. The event was moved from San Francisco to Reno after California’s governor banned it due to moral and religious objections, highlighting the controversial nature of boxing at the time.

The Build-Up

The lead-up to the fight was charged with racial rhetoric. The press framed it as a clash of civilizations, with Jeffries as the representative of white supremacy and Johnson as a symbol of Black defiance. Author Jack London, who had covered Johnson’s victory over Burns, called for Jeffries to restore the title to the “white race,” while a New York Times editorial warned that a Johnson victory could embolden African Americans to seek “more than mere physical equality.” Such coverage amplified racial tensions and drew global attention, with over 500 media members reporting from Reno.

The fight attracted a crowd of over 18,000, with estimates ranging up to 22,000, who gathered in a purpose-built wooden amphitheater on East 4th Street in Reno, Washoe County, near the Southern Pacific railroad tracks. Spectators arrived by buggy, automobile, rail, and streetcar, with nine cameramen capturing the event for film distribution. The atmosphere was tense, with strict security measures prohibiting guns, alcohol, and even apples to prevent violence. Betting odds favored Jeffries at 10–7, reflecting public confidence in his victory despite his long hiatus.

Johnson, known for his charisma, soaked up the spotlight during training at Rick’s Resort, often joking with his camp, while Jeffries trained quietly at Moana Springs, avoiding media attention. Prominent figures like John L. Sullivan, who predicted Johnson’s skill would prevail unless he faltered, added to the hype. The stage was set for a historic confrontation.

The Fight

On July 4, 1910, under the scorching Nevada sun, the fight commenced before a predominantly white crowd of over 12,000, with some estimates suggesting up to 20,000 spectators. Johnson, at 32, was in peak physical condition, while Jeffries, heavier and slower, struggled to keep pace. From the opening bell, Johnson dominated with his superior speed, footwork, and defensive prowess, frustrating Jeffries’ attempts to land significant blows.

By the 12th round, Jeffries was visibly battered, his face swollen and bleeding, with Johnson’s taunts and precise punches wearing him down. Reports suggest Johnson prolonged the fight, possibly to maximize the film’s revenue potential or to punish Jeffries, though he later denied such claims. In the 15th round, Johnson knocked Jeffries down twice for the first time in his career. After a third knockdown sent Jeffries through the ropes, his corner threw in the towel to prevent a knockout, ending the fight. Johnson was declared the victor, retaining his heavyweight title.

Jeffries later admitted, “I could never have whipped Johnson at my best. I couldn’t have hit him. No, I couldn’t have reached him in a thousand years,” acknowledging Johnson’s superior skill. The San Diego Union reported Johnson’s dominance, noting he “played with” Jeffries throughout the match.

Aftermath and Impact

Johnson’s victory was a triumph for African Americans but triggered widespread outrage among white communities. Race riots erupted across the United States, with over 20 deaths, predominantly Black individuals, as white mobs attacked Black celebrants. Cities like Chicago, New York, and Atlanta saw violence, and the film of the fight was banned in many states due to fears it would incite further unrest, marking the first instance of racist film censorship in U.S. history. Congress later passed a 1912 ban on interstate transport of fight films, which remained until 1940.

The fight exposed America’s racial fault lines, with Johnson’s victory challenging notions of white supremacy. It became a cultural touchstone, inspiring poems like William Waring Cuney’s, which celebrated Johnson’s triumph, and fueling discussions on race and equality. The event’s legacy endures as a pivotal moment in sports and social history, highlighting both the power of athletic achievement and the deep-seated prejudices of the era.

Conclusion

The Johnson-Jeffries fight of 1910 was a landmark event that transcended boxing, reflecting and reshaping America’s racial dynamics. Jack Johnson’s decisive victory over James J. Jeffries not only solidified his status as a boxing legend but also challenged societal norms, sparking both celebration and violence. The fight’s significance lies in its role as a catalyst for conversations about race, equality, and the power of sport to influence cultural perceptions, making it a defining moment in American history.

Nevada State Historic Marker 220

On this site on July 4, 1910, Reno hosted ‘The Fight of the Century,” a heavyweight championship boxing match between John Arthur Jack Johnson, the African American title holder, and James J. ‘Jim’ Jeffries, a former champion seeking to regain the title he had vacated in 1904.  Jeffries had refereed a previous championship bout between Marvin Hart and Jack Root at this site on July 3, 1905, but the promotion of the ex-champion as “The Great White Hope’ focused worldwide attention on his 1910 contest with the talented Johnson, known as the “Galveston Giant.”  Gamblers had their money on Jeffries, but Johnson easily handled his opponent and Jeffries’ trainers called the fight in the fifteenth round to save their man from the disgrace of a knockout.

Organized by famed promoter Tex Rickard, the fight brought over 30,000 fans to Reno, some 22,000 of whom packed the arena here on the day of the fight.

STATE HISTORICAL MARKER NO.  220

STATE HISTORIC PRESERVATION OFFICE

THE WASHOE COUNTY HISTORICAL SOCIETY

THE NEVADA CORRAL WESTERNERS INTERNATIONAL

Nevada State Historic Marker 220 Map

Nevada State Historic Marker 220

NameThe Fight of the Century
LocationReno, Washoe County, Nevada
Latitude, Longitude39.5332, -119.7964
Nevada State Historic Marker220

References

The Gunfight at the O K Corral

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The Gunfight at the O K Corral, one of the most iconic events in American Old West history, occurred on October 26, 1881, in Tombstone, Arizona Territory. This brief but deadly confrontation, lasting approximately 30 seconds, pitted lawmen against a loosely organized group of outlaws known as the “Cowboys.” The shootout resulted in three deaths and several injuries, cementing its place in popular culture as a symbol of frontier justice and lawlessness. This report examines the background, events, aftermath, and historical significance of the gunfight, providing a detailed account as of March 12, 2025.

Historical Background

Wyatt Earp - 1869
Wyatt Earp – 1869

Tombstone, founded in 1877 after prospector Ed Schieffelin discovered silver in the Goose Flats area, rapidly grew into a bustling mining town. By 1881, it boasted a population of around 7,000–10,000, fueled by the riches of the Tough Nut Mine and others in the San Pedro Valley. The town’s prosperity attracted a mix of miners, merchants, and a rough element of cattle rustlers and outlaws, including the Cowboys—a gang of about 50–100 men involved in smuggling, rustling, and robbery across the U.S.-Mexico border.

Tensions in Tombstone were exacerbated by political and economic rivalries. The Earp brothers—Virgil, Wyatt, Morgan, and James—arrived in 1879–1880, seeking opportunities in the booming town. Virgil became Tombstone’s city marshal in June 1881, while Wyatt, a former lawman and gambler, served as a deputy sheriff for Pima County and later worked for Wells Fargo. They were aligned with Tombstone’s business elite and Republican interests, often clashing with the Cowboys, who were tied to rural ranchers and Democratic factions.

The Cowboys, including figures like Ike and Billy Clanton, Tom and Frank McLaury, Billy Claiborne, and Johnny Ringo, were notorious for their lawless activities. By mid-1881, their confrontations with the Earps escalated. A key incident occurred on October 25, 1881, when Ike Clanton, drunk and armed despite a town ordinance banning firearms, threatened the Earps and their friend, John H. “Doc” Holliday, a dentist-turned-gambler with a volatile reputation. Virgil arrested Ike, pistol-whipping him, and fined him $27.50, further inflaming tensions.

The Gunfight

The Arizona Historical Newspaper, the Tombstone Epitaph announces the gunfight at the O K Coral.
The Arizona Historical Newspaper, the Tombstone Epitaph announces the gunfight at the O K Coral.

On the morning of October 26, 1881, the Cowboys gathered near the O.K. Corral, a livery and horse stable owned by John Montgomery, located on Fremont Street between Third and Fourth Streets. Reports indicated they were armed and possibly planning to leave town or confront the Earps. Virgil, as marshal, decided to disarm them to enforce the no-weapons ordinance, enlisting Wyatt, Morgan, and Doc Holliday (temporarily deputized) to assist.

Around 2:30 p.m., the four lawmen approached the Cowboys—Tom and Frank McLaury, Ike and Billy Clanton, and Billy Claiborne—in a narrow lot west of the O.K. Corral’s rear entrance, adjacent to Fly’s Photography Studio. The exact sequence of events remains disputed, with conflicting testimonies from survivors and witnesses. According to most accounts, Virgil demanded the Cowboys surrender their weapons, shouting, “Throw up your hands; I want your guns!” What followed was a chaotic exchange of gunfire.

Wyatt later claimed the Cowboys drew first, with Frank McLaury and Billy Clanton firing simultaneously. Virgil testified that he fired only after being shot at. Ike Clanton and Billy Claiborne fled early in the fight, leaving the McLaury brothers and Billy Clanton to face the lawmen. The shootout involved an estimated 30 shots fired in 30 seconds. Tom McLaury was killed by a shotgun blast, likely from Holliday, who wielded a double-barreled coach gun. Frank McLaury and Billy Clanton, despite being wounded, exchanged fire with the Earps and Holliday before succumbing to their injuries.

The lawmen were not unscathed: Virgil took a bullet in the calf, Morgan was shot through the shoulder, and Holliday was grazed. Wyatt emerged unharmed. By 3:00 p.m., the shooting ceased, leaving three Cowboys dead and the lot strewn with blood and spent cartridges.

Aftermath

The bodies of Tom & Frank McLaury and Bill Clanton after the shoot-out in Tombstone
The bodies of Tom & Frank McLaury and Bill Clanton after the shoot-out in Tombstone

The gunfight sparked immediate controversy. The Cowboys’ allies, including Cochise County Sheriff Johnny Behan, a political rival of the Earps, accused the lawmen of murder, claiming the Cowboys were ambushed. Behan arrested Virgil, Wyatt, Morgan, and Holliday, but a preliminary hearing before Justice of the Peace Wells Spicer began on October 31, 1881. After weeks of testimony from over 30 witnesses, Spicer ruled on November 30 that the evidence was inconclusive and the lawmen acted within their authority to enforce the ordinance. No formal charges were filed.

Public opinion remained divided. The pro-Cowboy Tombstone Nugget decried the Earps as killers, while the Tombstone Epitaph, supportive of the lawmen, framed it as a necessary stand against lawlessness. The Cowboys sought revenge, ambushing Virgil on December 28, 1881, crippling his left arm, and assassinating Morgan on March 18, 1882, while he played pool. Wyatt, now a deputized U.S. Marshal, led a vendetta ride with Holliday and others, killing several Cowboys, including Frank Stilwell and Curly Bill Brocius, in the following months.

The Earps and Holliday eventually left Tombstone. Wyatt died in 1929 in Los Angeles, Holliday in 1887 in Colorado, and Virgil in 1905 in Nevada. The Cowboys’ power waned as federal authorities cracked down on border crime.

Historical Significance

Historical photo of Ike Clanton in 1881 by photographer Camillus S. Fly, Tombstone, Arizona Territory.
Historical photo of Ike Clanton in 1881 by photographer Camillus S. Fly, Tombstone, Arizona Territory.

The Gunfight at the O.K. Corral was a minor skirmish in its immediate context—only three deaths in a town accustomed to violence—but its legacy looms large. It epitomized the clash between law and disorder in the frontier, reflecting broader tensions over control of resources and governance in the post-Civil War West. Tombstone’s silver boom faded by the late 1880s, but the gunfight endured as a cultural touchstone.

Hollywood amplified its fame, beginning with Stuart N. Lake’s 1931 biography Wyatt Earp: Frontier Marshal, which romanticized the Earps as heroic lawmen. Films like Gunfight at the O.K. Corral (1957) and Tombstone (1993) further mythologized the event, often exaggerating its scale and simplifying its moral complexities. Historians, however, note its ambiguity: the Earps were not unblemished heroes, nor were the Cowboys mere villains; both sides operated in a gray area of frontier ethics.

Current Status

As of March 12, 2025, the O.K. Corral site in Tombstone is a preserved historic landmark, part of the Tombstone Historic District, designated a National Historic Landmark in 1961. The original corral burned in 1882, but the adjacent lot and Fly’s Studio remain, managed as a tourist attraction with daily reenactments. Artifacts like Doc Holliday’s shotgun and period photographs are displayed in local museums, such as the Tombstone Courthouse State Historic Park. Archaeological digs have uncovered bullets and casings, corroborating witness accounts of the fight’s location and intensity.

Conclusion

The Gunfight at the O.K. Corral was a fleeting yet pivotal moment in Tombstone’s history, encapsulating the volatile spirit of the American West. Its blend of documented fact and embellished legend has ensured its place in the national imagination. Countless books and movies feature the story and the legend castes a long shadow across the history of Arizona. Beyond the gunfire, it reveals the fragility of order in a lawless land and the enduring human drive to impose it—or resist it. As a historical event, it remains a lens through which to view the complexities of justice, power, and survival on the frontier.